CD
- Eva-Maria Houben, 3 trios (2018). Carson Cooman, Orgel. edition wandelweiser records 2108
Konzerte / online – live
- 05. Mai 2021
Seattle, WA (USA), University of Washington School of Music, Meany Hall (Faculty Livestream): Eva-Maria Houben, méditations sur le piano 8 (carillon) (2019). Werke von Wayne Horvitz, Melia Watras, Kotoka Suzuki, Carlos Sanchez-Gutierrez, Tania León. Cristina Valdés, piano. - 05. Juni 2021
New York City (USA), Liminal Space: Eva-Maria Houben, four haikus by tagami kikusha. three vocalists (2017). Ensemble InfraSound. Yoshi Weinberg, Co-Artistic Director. - 11. Juni 2021
Buffalo (USA), Center for 21st Century Music. Live. Online: youtube.com. Eva-Maria Houben, echo fantasy V (2018). loadbang: Adrián Sandí, bass clarinet; Allison Damon, trumpet(s); Jeffrey Gavett, baritone voice; William Lang, trombone. - 14. Juni 2021
Festival de Música Nueva, Ensenada (La Flauta Deconstruida). Online: youtube.com. Eva-Maria Houben, a trace of air for flute (2014). Werke von Mariana Villanueva Conroy, Pauline Lay, Vinko Globokar. Michael Matsuno, flute. - 26. & 27. Juni 2021
Milano, „Piano City“ Music Festival: Eva-Maria Houben, like a flash of lightning that hurries suddenly from the sky to the earth. a piano piece including traumverloren II, keyboard music 1, méditations sur le piano 1, 2 & 3, intermission 1, keyboard music 2, méditations sur le piano 4, 5 & 6, intermission 2, keyboard music 3, méditations sur le piano 7, 8 & 9, intermission 3, keyboard music 4, méditations sur le piano 10, 11 & 12, intermission 4, keyboard music 5, méditations sur le piano 13, 14 & 15, intermission 5, keyboard music 6, méditations sur le piano 16, 17 & 18, intermission 6, keyboard music 7, quelques petites méditations, intermission 7, sonata nr. 10. Nicolas Horvath, piano. - 19. Juni – 30. Juli 2021
Ausstellung „Shigeko Kubota – Hanae Utamura“, 2. Ausstellung von Resonances of DiStances, Düsseldorf basedonart gallery, Birkenstr. 112: Eva-Maria Houben, echo fantasy I for ensemble (2018). Musik zum Film von Hanae Utamura. https://boa-basedonart.com/resonances-of-distances/ - 17. Juli 2021
St. Stephen’s Church, Bristol (UK) (mainly slow organ music 1): Eva-Maria Houben, allein (2009) for one performer. Werke von Howard Skempton, Huw Morgan, Laurence Crane, Joseph Kudirka, Philip Glass. Huw Morgan, organ. - 29. Juli 2021
Petersburg Art Space, Berlin (Music for the Cosmos): Eva-Maria Houben, verschwindungen I (2005) for double bass (5 strings). Jonathan Heilbron, double bass. - 3. August 2021
Düsseldorf, Klangraum: Eva-Maria Houben, kare-san-sui (2019) for piano. Sanae Kagaya, choreography, butoh dance; Eva-Maria Houben, piano. - 4. August 2021
Düsseldorf, Klangraum: Eva-Maria Houben, a walk through the bamboo garden (2020) for piano. Sanae Kagaya, choreography, butoh dance; Eva-Maria Houben, piano. - 5. August 2021
Düsseldorf, Klangraum: Eva-Maria Houben, kare-san-sui (2019) for piano. Sanae Kagaya, choreography, butoh dance; Eva-Maria Houben, piano. - 6. August 2021
Düsseldorf, Klangraum: Eva-Maria Houben, a walk through the bamboo garden (2020) for piano. Sanae Kagaya, choreography, butoh dance; Eva-Maria Houben, piano. - 7. August 2021
Düsseldorf, Klangraum: Eva-Maria Houben, kare-san-sui (2019) for piano. Sanae Kagaya, choreography, butoh dance; Eva-Maria Houben, piano. - 10. Oktober 2021
Köln Merheim, Petruskirche: Eva-Maria Houben, awake all night long (2021) for organ, (mixed) choir. Chor superterz, Ltg. Antoine Beuger; Eva-Maria Houben, organ.
Publikationen
Bielefeld: transcript 2019
Listen to Irene Kurka and Eva-Maria Houben on Irene Kurka’s podcast!
Bielefeld: transcript 2018:
Eva-Maria Houben im Gespräch mit der Sopranistin Irene Kurka
Eva-Maria Houben / Martin Ebeling, Tonsatz: Ein Weg zu eigenen Vokal- und Instrumentalsätzen. Künstlerische und pädagogische Praxis in der Lehramtsausbildung, in: GMTH Proceedings 2017, hg. v. Florian Edler und Markus Neuwirth. Populäre Musik und ihre Theorien. Begegnungen – Perspektivwechsel – Transfers (17. Jahreskongress der Gesellschaft für Musiktheorie. 27. Arbeitstagung der Gesellschaft für Popularmusikforschung, Graz 2017, hg. v. Christian Utz), S. 315-334.